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- Playing Hardcore Covers For Others
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Interview By: Stacy Tuttle
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Once in a while you meet people who are special, people who possess a
great sense of purpose, MILLIONS OF DEAD COMPS. easily falls into that
category. What impressed me most about MILLIONS OF DEAD COMPS. (or
MDComps. for short) was not only that they are each brilliant musicians
in their own right, but also that they have come together with a
altruistic goal, to contribute back to the world in some positive way
through the hardcore music that they love to play. MDComps.' spot-on
renditions of hardcore punk songs brought back to life at their shows
are an absolute delight, and knowing that 100% of all proceeds raised
from the show will be given to a worthy charity gives you that warm
feeling that comes from having a fantastic time and helping out others
in the process. MILLIONS OF DEAD COMPS. describe themselves as a not-
for-profit tribute band devoted to covering classic punk rock and
hardcore compilation records ("comps.") in their entirety. I first
became acquainted with MDComps. after they played a benefit show to
honor Exene Cervenka on behalf of Sweet Relief Musician's Fund. Exene
had made a contribution to our project to assist homeless children and
adults in Los Angeles , Campaign For Care, and our family adores her
both professionally and personally. I wrote to MILLIONS OF DEAD COMPS.
to let them know that we thought what they were doing to assist Exene
and others with their gift of music was wonderful. Low and behold,
they ended up playing a benefit show for CFC which raised enough
funding to make hand-tied blankets for 32 homeless children and
adults. I asked MILLIONS OF DEAD COMPS. members London May (SAMHAIN,
TIGER
ARMY, SON OF SAM, DAG NASTY, REPTILE HOUSE, THE FOUL & THE
FRAGRANT drums/vocals), Chris Bratton (CHAIN OF STRENGTH, INSIDE OUT,
DRIVE LIKE JEHU, WOOL, STATUE guitar/vocals), and Stevo (MAD PARADE
bass/vocals) to sit down one night after a rehearsal and tell us a
little more about who they are and what they're up to.
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C Since March 2008
PG Are you all original members?
S I joined in February 2009
PG How did the concept of MDComps. come about?
L We wanted to do something positive, stay in shape, help some people
out and play the kind of music that we like to hear. Chris and I also
have kind of have an obnoxious side, we thought we should play so fast
and so hard and so long that people are just irritated, but do it for
charity. It's punk in that spirit, raising money through this noisy,
screaming hardcore, and we thought it was a really cool concept. We
knew it would have a fairly limited appeal, but we get off doing it.
A year and a half later we're still playing, raising a little bit of
money, clearing rooms of people, having a good time and getting a
little exercise.
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PG I am not aware of any other band that exclusively plays shows to
raise funding and awareness for charities specifically, perhaps from
time to time, in that regard Millions Of Dead Comps. is very unique.
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L Since we play all cover songs, it just seems like kind of a rip off
for us to make money for ourselves by playing other people's songs. We
didn't write this stuff. We're happy to play it, but we're not an
original band. We want to pay respect and tribute to the bands and the
music that we love, but we prefer to keep the peace and our integrity
by giving the money away.
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PG By donating all the proceeds you don't need to make apologies to
anybody. |
S Right.
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PG Where do you come from originally?
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L I grew up in Baltimore .
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C London was heavily involved in D.C.. scene.
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L Yeah, D.C., New York , New Jersey , Baltimore , East Coast.
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C I come from an hour east of Los Angeles .
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S I grew up in East Los Angeles .
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PG - How many people have been band members of MDComps.? Let's start
with Sonny, he's on the MDComps. live video "3 Songs by Void". |
C Since we started we've gone from a 6 piece down to a 3 piece and
everything in between. Sonny was our first singer, then I took over
when he left in May 2009. I had been dual singing with him the whole
time, so it was easy to keep going. |
L We had a show booked 2 weeks after he left and we weren't going to
cancel, so Stevo and I doubled up on vocals and pitched in to fill it
up. We just moved on with what we had left. I'm glad that we've pushed
ourselves, the challenges have made us all better players. |
C - The original idea for this band was to have a core base of
London
and me and have a rotating cast of volunteers dropping in and out
depending on the material and availability. Thankfully Stevo helped
fill out that foundation even more.
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MILLIONS OF DEAD COPS. Live! 3 Songs by VOID |
PG Are you in it for the long haul? |
S I am. |
L We are in it until nobody wants to see us play. If we can't raise
money to benefit others and nobody wants to see us, we'll regroup and
do something else. As far as longevity, we'll always be playing in
some form. How busy we are depends on the market. |
S We'll pretty much play anywhere, but it's not always easy getting
gigs. |
L If you're less than 40 you have to be really up on your old school
punk rock and hardcore to know where we're coming from. We play a
couple hits by Minor Threat, but the bulk of our stuff is really
obscure, and we're really into that. |
C That was one of the fun things about doing a comp., to put in
exactly
the same amount of love, power and energy into Red C or Youth
Brigade as you would Minor Threat. |
L There are some bands that never did anything but these couple of
songs on comps. and then they disappeared from the face of the earth.
It's not like we work hard on the songs that people know and then goof
off on the ones they don't, we play everything as hard as we can, life
or death. We play every song with the same intensity. |
C Youth Patrol! |
L Youth Patrol
one song on one record in 1981, we play that song as
hard as we possibly can.
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PG How did you come across Millions Of Dead Comps., Stevo? |
S I emailed them. It was kind of strange, London had a band in the
early 90's that shared a practice room with one of my old bands before
Mad Parade. We were acquaintances; I saw his name on this project
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C - We had a vision of having a reserve of hardcore dudes that could
jump in and know all 30 songs. We tried out some people, Stevo ended
up working out for the long haul.
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PG It's really tight, the shows at the Slidebar and Shelter Street
and Skate were great, we loved what we heard. How did you all get
started playing music? |
S My dad was a studio musician for a long time, I grew up around
music, but I didn't start playing until I was 18. |
C His dad is a superstar of the 70's
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S He played on "CHIPS". |
L Stevo's dad played with Elvis Presley, and he played on the "Shaft"
theme and on "Get Smart". |
S Yeah, I grew up with musicians in my house all the time, I got into
punk very young, 8 or 9 years old. I met one of the guys from Mad
Parade in a record store, auditioned, got the job and played with them
since
1991. |
C I wanted to play music since I was about 11. I was really into
Devo, I wanted to play drums because of Devo's drummer. I asked my dad
if I could get a drum set and he said no. I pestered him until he
finally got me a snare drum, which was fun for about 3 months, then it
went into the closet. When punk came into my life, I asked him again
for the drum set because I wanted to start a band. He told me to go
get a job, I was 14. So I took matters into my own hands, put my
Mongoose BMX bike in the Recycler and sold it for $175.00. My buddy
had a beater kit which he sold to me for $75.00. Then I went to Toxic
Shock in Pomona , which was the only record store in the Inland Empire
that sold hardcore records, and bought about $100.00 worth of rad 7"
records, The Process of Elimination E.P.. was one of
them.
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PG Did you get in trouble for selling your bike? |
C Oh yeah, but within 1 month I started my first band, a straight-
edge hardcore band, in June 1983. |
L I was so into records and music as a kid, my parents always
listened to music, it was always playing in our house. My dad played a
stand up bass and trumpet in a Jazz band. I became obsessed with The
Who and Pete Townsend, music and art and visual stuff, David Bowie,
etc. I got my dad to rent me a guitar, a Sunburst Les Paul copy and a
little amp. No lessons, I was super confident and just tried to
imitate the poses and hand positions I saw in books and magazines like
Rolling Stone. That lasted about a day. Then I signed up for
percussion in the school band, but it was just a snare drum! That
wasn't very
"rock", and I wanted a real drum set so I began hanging
out in the drum section of this crazy "ye old curiosity shop" type
place called Ted's Music in downtown Baltimore . Too bad it burned down
20 years ago. It was one of a kind. Down there you would buy or rent
the cruddiest stuff ever, and they'd drill it right there if you wanted a mount for your tom-tom. So for almost nothing they could
monkey-wrench a kit together for you. Seriously, it made pawn shop
stuff look like Guitar Center . Real junk yard stuff. I eventually got
a bass drum, tom-toms, and a cymbal. Every six months if I did chores
and if I showed a little improvement I'd get to go to Ted's and my
folks would buy me some more miss matched, cheap, different color stuff. I ended up taking a magic marker and some spray paint to make
the whole kit one color. Then I started high
school and I was the only
punk rock looking guy, with a peroxide-orange Mohawk. I used to order
punk rock shirts out of Trouser Press magazine, Sex Pistols shirts
with safety pins, wear thrift store stuff. I started hanging around
and going to shows and playing in bands.
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PG Do you do benefit shows exclusively or would you consider a paid
gig? |
S If we play a paid gig we donate all the money. |
L People think that if we're playing, then the whole show is some
type of a benefit show. We don't expect the club or the other bands to
contribute. We operate just like a regular band, we try to get gigs,
we try to get paid. What we do with the money we get is give it away,
so personally, every show is a benefit show for us. |
PG How do you choose your charities? |
C Whatever moves us that week for that show. We rotate from person to
person, "I chose last time, so it's your pick this time" kind of
thing. |
L Our friend Dan mentioned Exene and her battle with M.S. and the
Sweet Relief foundation to us, so the very next show we played was on
her behalf.
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PG You're all big X fans? |
All - Oh yeah, absolutely. |
C X is one of the most important Los Angeles bands, easily. |
S Definitely |
L They were touring in Baltimore in 1981, I was too young to go see
them so I went to meet them at a record store and got a Wild Gift
poster signed by all
the members. |
S I suppose X means just as much to people on the East coast as they
do to us here in Los Angeles .
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PG They are one of the great crossover bands, the punks, rockers,
rockabilly, even the surf crowd identified with their music.
C They were the spring board for the cow punk that got really big a
few years later, they brought the root influence from way back in
1978.
S Just one of those bands that influenced everybody, not just one
genre, they are whatever they feel like being.
C Like the Clash.
L I keep thinking about those lyrics on More Fun In The New World,
"What about Black Flag, Minutemen, DOA
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PG Big Boys |
L They were a major
label band
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C Elektra |
L ...Yet they were name dropping hardcore bands, they were saying
they support the scene, they support hardcore. |
C They were on American Bandstand, they won everyone's hearts over.
When I say Los Angeles band, I mean a band that writes about L.A.
specifically and embodies the city. The Doors and X were amongst the
most important bands of Los Angeles .
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PG Where as a band like Jefferson Airplane was San Francisco
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C Haight Ashbury
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L The Fillmore
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PG San Francisco is where I met Ginger Coyote around 1985, she's the
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L The founder of Punk Globe Magazine
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PG Yes, and the lead singer of White Trash Debutantes. |
S The brother of the drummer from Mad Parade was the drummer for White Trash Debutantes.
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PG Is that right
what's his name? |
S Johnny Vile
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PG What charities have you played shows to raise funding and awareness for? |
All - Children Of The Californias (Mexican Children's Hospital) The Covenant House for Homeless Teens Toys For Tots The Downtown Dog Rescue The Downtown Women's Shelter Save Maximum Rock and Roll Magazine Benefit Weekend Gente Por Los Animales Los Angeles Cystic Fibrosis Foundation Los Angeles Chapter for Breast Cancer Research Shriners' Childrens Hospital Sweet Relief Musician's Fund Campaign For Care The Companion Animal Village The Blind Center of Nevada The Shade Tree Women's & Children's Shelter Union Station Homeless Services |
PG Impressive list of beneficiaries, you should put it up on your website. |
L The charity component is a little tough for me to discuss, it's a
conundrum. I don't like acting as if we're saints, or like, "hey look
at us." We do what we do, and if people want to know more about it I
will certainly tell them. There is a certain amount of not trying to
advertise too much about what we do in a way that makes us seem
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PG Holier than thou? |
L Exactly. We try not to preach or push others to follow suit. It's
our deal. We run a tight ship, and account for every penny.. We are
absolute sticklers for that, and we take our not-for-profit status
very seriously.
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PG There is more of a
responsibility to be accountable when people
are donating for a cause. |
L Right. So our responsibility is to make sure that we get receipts
and keep proper records. We couldn't do this type of band otherwise,
we want our integrity to be bullet-proof.
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PG Strictly playing benefit shows does single Millions Of Dead Comps.
out for additional scrutiny because it's not typical. |
L People sometimes are really skeptical of what we're doing.
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PG You mustn't let that deter the effort. |
L - Maybe they've had bad experiences.
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PG Do you have a specific fundraising goal in mind? |
L We'll keep going until nobody wants to hear us.. We play every show
the best we can, enjoy ourselves and hopefully have something
respectable to donate. We speak softly but keep the music loud and our
purpose low-key. We're not trying to be Bono
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C Some of the best charity happens silently |
L Character is what you do when no one is looking. The charity stuff
we mention on the website, sometimes I wonder if it makes us look
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PG Righteous? |
L Yes, righteous, exactly. We're sincere about what we do, but it's
because we like doing it. |
S Yeah, we enjoy doing it primarily for ourselves.
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PG It removes the
whole martyr issue
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L - Believe me, we are not suffering for anyone's cause. It's our own trip. |
C Charity is one wing of our band. The other wing is having fun
paying tribute to the bands we grew up with, playing those songs and
breathing energy into them. Those two things are equally important in
what we do. It's so different dropping a needle on a record to
dropping a pick on a guitar. |
S I remember talking with London about all this when I first joined
the band. This is a different situation, without a lot of the typical
band hassles. There's no manager, no pay, no record labels to worry
about, no writing music. Just guys playing and giving the money away,
and I just wanted to play. If we got paid and used it to help
people,
even better. I already have a job (as a Culinary Instructor), so when
I heard the whole concept, I was in. I get to hang out with cool
people, play music really fast and really loud, have a good time, play
whatever we want and help other people out.
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MILLIONS OF DEAD COMPS. New! NECROS-MEATMEN-NEGATIVE APPROACH |
PG No manager? |
All - Nope, just us!
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PG No record label? |
L Why? We play covers.
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PG You cover the bands you like, Minor Threat, D.C. Youth Brigade,
Void, Teen Idles, Untouchables. These are the bands you grew up with,
London ? |
L D.C. was about 40 minutes away from me when I was growing up in
Baltimore so we used to go at least once a week to see shows. |
C Yeah, D.C. was the kind of the hotbed of the entire East coast
hardcore community back then, to put that in L.A. perspective, it
would be like living in Pomona and going to Los Angeles to see Black
Flag, Circle Jerks
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L Chris and I were both so into that stuff as kids, flash forward to
2008 and we're hanging out, playing these marathon high speed hard
core jams and it just kind of fell together. |
C - We'd
be jamming and I would slip in the obvious Damned, Minor
Threat, T.S.O.L. stuff, then we found it's really fun to play all
these old Dischord tracks too, that's how it evolved. We were joking
about it, like wouldn't it be funny to have a band called Millions Of
Dead Comps. because that's all we play is old compilation records. It
was something I said to make him laugh
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S Then all you heard were crickets? |
C It was the birth of it.
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PG It is wonderful to revive these old school punk songs. |
C Because of the downloading age, kids are well aware of their roots
now, they're totally into what came before. |
PG A lot of those vinyl records didn't make it to cd or digital, and
a lot of it was short-lived. |
L It was hard to find the The Process Of Elimination E.P.. |
S I bought Flex Your Head off Dischord's website. |
C The name Millions Of Dead Comps. comes from the really great band out of Texas , Millions Of Dead Cops.
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PG Yes. |
C They were around the same time period as the Dischord bands. One of
the first things we did was to talk to Dave..
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PG Dave from MDC? |
C Yes,
Dave Dictor, the lead singer of Millions Of Dead Cops. We
explained what we were doing so he'd be aware of it and he thought it
was cool. Then we talked to Ian Mackaye
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PG From Minor Threat? |
L Yes, and Dischord. I also contacted Henry (Rollins), I wanted them
to hear it from us first, to put feelers out, thankfully everybody
thought it was cool and wished us good luck.
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PG They're in the spirit of keeping the music alive, and if you play
it live, it stays alive. You had their blessing. |
L Right. Here it is a year and a half later
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C When we talked to Ian about it he asked us if we play Jimi 45 by
Red C, I told him that we play it equally as hard as we play 12XU by
Minor Threat, he was happy to hear that. |
L He gave us some of Flex's missing lyrics. He especially liked the
sketchy rolls I replicated on Red C. We wanted to keep the character
of it, to recreate the songs --and the chatter in between the songS as close as we could to provide a total experience for the concert
goer, take them back in a hard core time machine to 1982. We're also
an audience participation band, and we want fans and friends to come
up and grab the mike, play second guitar, guest on a couple of songs.
We encourage people to be involved, come out, help raise money for
charity, have a good time. Anybody who knows any song is always
welcome to grab a mike and sing with us. |
C We even leave a live mike on the stage just for that purpose.
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PG Millions Of Dead Comps. has since printed a lyric book of their
set which is made available at shows to encourage people to
participate.
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PG How did the Metallica Guitar Hero thing happen for you, London ? |
L Metallica loved the band I was in, Samhain, and they chose a song
that I played drums on for the Guitar Hero game, it was awesome.
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PG Any heroes? |
C Ian Mackaye, "Phantom of The Paradise" Paul Williams. |
L Rollins, people like that who put their lives on the line for early
hardcore, trail blazers like Glenn Danzig, Iggy Pop.. |
S My dad, the Ramones, Julia Child. I heard the Ramones and it
changed my life, immediately. I was about 8 years old, jumping up and
down on my friend's couch. There are some moments in life when you
know this is going to mean something to you, like meeting your soul
mate.
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PG What do you get out of volunteering your time and energy as you
do? Obviously you love to do it. |
S Something we really enjoy doing not only helps us, it helps others,
which gives it some additional purpose. |
L It's using whatever gifts we have been given to help out. I've done
a lot of volunteering and stuff besides my job as a Pediatric Nurse,
it's what I like doing.. My real heroes today are the kids that I work
with, they don't complain, they're grateful, they have way better
attitudes than most people I know. As far as the band is concerned,
we're trying to make a difference to make the world a little better
place by doing something we like doing. Look, there are really
"hardcore" people out there on the
front lines, assisting the
homeless, helping all kinds of charities, every single day. We don't
claim to be on that level of dedication. MDComps. is just our small
way of trying to do something positive.
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PG You really are lovely people, I'm so pleased to know you. I get a
lot of inspiration from what you're doing, it's really important. Even
if someone doesn't participate in what you're doing, it still feels
good to know there is an act of kindness underway, it's an outstanding
effort. |
L Every chance we get to play is fun for us. We are happy to pay our
dues, rehearse, schlep our stuff to a gig and play a show after
working all day. We're not too cool, we're humble, we'll play first,
we'll play last, doesn't matter. We'd like to play out even more.
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PG Is it all worth it? |
S Absolutely. Family, kids, doing stuff like the music, working with
sick kids like London does, giving
back, all these things make your
life more positive, that's a good way to keep going.
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PG What's on the horizon for Millions Of Dead Comps.? |
L Working on some more comps.
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S Come out and see us play!
C 15 years ago my advice would have been start a band, but nowadays,
everybody has. The promise of punk rock in 1977 has come true, and now
we need another revolution.
S Keep doing it, don't give up, don't stop.
L Find a way to keep doing (music), there's no age limit.
S Also, there's nothing wrong with doing good things for people, nothing wrong with kind acts
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PG In fact, they're critical. |
S Absolutely.
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MDComps. is currently performing a non-stop 60 minute set consisting of all 40 songs from the legendary 1981 Dischord compilation "FLEX YOUR HEAD" and The 1981 "Process OF Elimination E.P." All proceeds from MDComps. performances are dedicated to charity. Each performance benefits a different worthy cause. No guest list! - No "comps"! - Everyone contributes! COME START A PIT FOR THOSE LESS FORTUNATE! Many thanks to MDComps.' original inspirations, Ian Mackaye (Dischord/Minor Threat) and Dave Dictor (Millions Of Dead Cops/MDC) for their support and encouragement of this project. More information or booking inquiries please contact MILLIONS OF DEAD COMPS. directly at www.myspace.com/millionsofdeadcomps or MillionsofDeadComps@yahoo.com. |
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