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Jer Ber Jones is preparing for a show in San Francisco, just
across the erector set from me, and stopped in Oakland for a
hello (and to drop off her daughter Berlinda). She’s touring
work from the new CD “Jer Ber Jones: Masked”, a collection of
cover songs that has been in heavy rotation not only in my
house, but on the general compound we live on (we’re not in a
cult but do live on a compound and are totally looking into
setting something up, so…)
I was nervous to have Jerilyn Jones, a drag legend and good
Mormon mother of two, arriving to the dirt of our urban farm,
a place of feral cats, pans of oil, opossums with albinism
(OWAs), wild birds hopping in and out the back kitchen,
smashed things with guts, and then all of us humans
maneuvering like bugs inside of it. I worried it would be
like when Donald and Donna Dasher visited Dawn Davenport for
dinner, the scene flipping on a loop in my head as I
vacuumed. “And I bet you cleaned, just for us.” “Well… I did
tidy up.” Taffy throwing the spaghetti at the wall. The whole
bit. My worries washed away as Jer Ber walked in the door and
kicked off her flip flops, SO sensible, just “voila”, ya
know?
This Mormon Mom sensibility is the root of the art and music
Jer Ber creates, and the cover songs on “Masked” hardly read
as covers, in the good direction. These are the songs I grew
up with. All A-sides. To hear them assembled so sweetly is
evocative, my cells reminded that these were, in fact, songs
I knew. A few are songs I could not have cared less about
(Cher’s “Believe”, for example) yet now I can’t seem to get
enough of them.
“There’s something in it,” I said, “something in the music. I
don’t know what it is…” She denies this, but I swear,
whatever she’s adding makes what Gaga used seem like
crosstops.
“It’s only disco,” said Jer Ber, waving it off.
But it’s not just disco. It has a dark drive that underscores
much of the work Jer Ber produces, a spooky realness that
hits at the spine. These covers are everything I’d imagine
Marilyn Manson was shooting for on the “Sweet Dreams (Are
Made of This)” cover, but where I think Manson fell flat, Jer
Ber Jones has created covers that are addictive and
unnerving, while seeming completely new.
It may even be this deliberate lack of pretense in delivery,
the absence of “I’m Trying So Hard To Shock You” snarling,
blood-spitting or any of the boring shock/shlok that we’ve
all seen before and are all seeing again, on repeat, that
makes what Jer Ber Jones does so interesting: it’s opposite
of what others are doing to shock. It’s not literal, all
spelled out under the umbrella of performance, and completely
void of typical drag cliché. Drag is not the first thing I
think of when I think of Jer Ber Jones. Music is. This is not
lip synch. This is a true artist, prolific and ever
producing. While these tracks are not trying to shock, they
hold shocking beauty at times, with a reverb so thick and
layered it would make Ivo Watts-Russell stop to listen.
[Psst…hey, Ivo…]
The Amy Winehouse “Back to Black” cover is haunting, and I
say with conviction that Winehouse herself would be proud.
The track is so dark and twisted that it seems personal, like
there’s a personal vendetta inside of it. The same pride goes
double for the cover of Laura Branigan’s 80’s smash “Self
Control”, boiled down and is rendered into a completely new
animal. I love it, listen to it here:
http://soundcloud.com/berdache-project/jer-ber-jones-self-control
A collaboration with Kristian Hoffman , who has worked with
Klaus Nomi, Rufus Wainright, and Ann Magnuson, re-creates the
Boy George/Culture Club classic "Do You Really Want to Hurt
Me?" and offers an electro-alien growl, changing everything.
These collaborations abound. Paul Roessler (Nina Hagen's
longtime producer and collaborator, original member of the
punk band The Screamers, 45 Grave) - co-produced and played
music on "Private Dancer" (the Tina Turner song) and created
one of my favorites of all the covers: a dreamy guitar
version of Eurythmics "Love is a Stranger", with vocals by
Jer Ber's ex-husband Mike.
A tribal/percussion tribute is given to fellow Los Angeles
blonde Belinda Carlisle (daughter Berlinda’s namesake) with
the Go-Go's “We Got the Beat”; an alternate “man” versions of
Cher’s “Believe” makes me well up, with beautiful piano and
vocals, and once again, I can’t get enough of it. I’m not
sure if the singer on the man version is Mike or not. Listen
here: http://www.youtube.com/watch?v=9YKaPTx-gyw
We can learn more about Jer Ber, Mike, and the kids by
looking further into the mystery that is Jerilyn Jones at her
main website. Who is this Mormon, ex-polygamist drag icon?
And this personal vendetta I spoke of earlier, with Back to
Black? Is it related to some lingering bitterness around
Mike? RobbieD.com has all the info you need on the history of
the family tree.
Not only do the individual tracks feel like homage, the sound
of the whole record has a feeling of nostalgia for me,
something subtle and hard to pin down. It feels like the good
parts of so many things: 4AD, dark wave, dance music and
Rohypnol (of course Rohypnol has good parts; don’t be so
judgey!)
The music of Jer Ber Jones is evolving. The 11 tracks on
“Masked” were assembled over a three year period, as part of
the elaborate cabaret act that makes for an exciting live
show. Six costume changes in 45 minutes don’t shake her. Jer
Ber’s own perfectionism and professionalism is always in
place; she really wants the best for her audience.
Jer Ber Jones will be headlining the grand opening of the
genius new Slipper Room Victorian cabaret in NYC in
July/August.
You can buy the CD, with its beautiful cover art by Jim
Winters, a San Francisco artist who has a running series of
“Jerilyn Masking” pieces. Try to figure out the enigma of Jer
Ber Jones, the story keeps going; I haven’t even discussed
the Guten Morgen Fairchild project. I can’t explain. You can
find answers online. It’s like a treasure hunt, to watch the
evolution of Jer Ber Jones. This new music is clearly a
harbinger of what’s to come next for Jer Ber Jones and
company. More layers, more piano, more reverb. More music.
Even though I can’t explain it, I love what Jer Ber Jones is
creating. Like when the neighbor says “She was such a nice
lady…kept to herself…we never expected this… never in a
million years” and you know that somewhere in your own life
there is a powder keg, and through this common outreaching
you feel it, and suddenly you’re in your filthy living room,
shimmying on the shag to “Believe” by Cher.
For all things Jer Ber, visit these sites: Official website: http://www.robbied.com Facebook: https://www.facebook.com/jerberjones The Official Jer Ber Fan Page: https://www.facebook.com/theberdachelook Jer Ber Jones on Youtube: http://youtube.com/user/JERBERJONES |
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